Script Development 
  • TV/Film work available by request.
  • Christine Evans's Galilee, dir. Eleanor Holdridge, PlayPenn Conference (July, 2017)
  • Hamish Linklater's Paris, Actors; dir. Leigh Silverman, New York Stage and Film (June, 2017)
  • Dan Finnerty's Little Orphan Danny, ​dir. Sean Daniels, New York Stage and Film (June, 2017)
  • ​Jonathan Caren's Ruby Horse Thief, dir. Carolyn Cantor, Primary Stages Fresh Ink Reading Series (2017)
  • Dominic Finocchiaro's The Found Dog Ribbon Dance, ​dir. Benjamin Kamine, The Lark Play Development Center's Playwright's Week (2016)
  • Callie Kimball's Things That Are Round, dir. Shelley Butler, Workshop at The Lark Play Development Center (2016)
  • Dominic Finocchiaro’s The Found Dog Ribbon Dance and K. Frithjof Peterson’s Bookmarks, dir. Dan Bonnell, Seven Devils Playwrights Conference (2016)
  • Deborah Zoe Laufer's Informed Consent, dir. Liesl Tommy, Primary Stages/EST (2015)
  • Jennifer Blackmer's Unraveled and J. Joseph Cox's Koalas, dir. Dan Bonnell, Seven Devils Playwrights Conference (2015)
  • Tanya Barfield's Bright Half Life, dir. Giovanna Sardelli, National Playwrights Conference at the Eugene O’Neill Theater Center (2014); dir. Leigh Silverman, Women’s Project Theater (2015)
  • Martin Zimmerman’s The Solid Sand Below, dir. Kent Thompson, National Playwrights Conference at the Eugene O’Neill Theater Center (2013)
  • Tanya Barfield’s The Call, dir. Leigh Silverman, Primary Stages/Playwrights Horizons (2013)
  • Tanya Barfield’s Chat, dir. Gaye Taylor Upchurch, Geva Theater (2012)
  • Horton Foote’s Dividing the Estate, dir. by Michael Wilson, Broadway’s Booth Theatre (2008)
  • Terrence McNally’s Deuce, dir. by Michael Blakemore, Broadway’s Music Box Theatre (2007)
  • Wendy Wasserstein’s The Heidi Chronicles, dir. by Maria Mileaf, Berkshire Theater Festival (2006)
  • As Resident Dramaturg of Primary Stages: Tina Howe’s Chasing Manet, Lee Blessing’s A Body of Water, Willy Holtzman’s Something You Did, Brooke Berman’s Hunting and Gathering, Cusi Cram’s A Lifetime Burning​

Producing
  • Artistic Liaison and Script Consultant, After Orlando Benefit, Philadelphia Theatre Company (November, 2016)
  • Producer, MyStory Films, Second Stage Theatre (August, 2016)
  • Producer and Dramaturg, Workshop of Genne Murphy's Giantess, The Leah Ryan Foundation and Vassar & New York Stage and Film's Powerhouse Theater Program (July, 2016)
  • ​Producer, The 2016 Lilly Awards, Signature Theatre (May, 2016)
  • ​Production Coordinator, "New Musicals at 54: An Americain Boy by Amanda Green & Richard Thomas", dir. Leigh Silverman,     54 Below (January, 2016)
  • Resident Artist at Ball State University (January, 2016)
  • Associate Producer, The Lilly Awards Broadway Cabaret, The Cutting Room (November, 2015)
  • Production Coordinator of The Lilly Awards Broadway Cabaret, Birdland (2014)
  • Producer of The Leah Ryan Benefit, Joe's Pub (2014)
  • Producer of Cusi Cram's The West Village Project, dir. John Gould Rubin (2014)
  • Co-Producer with Dominic D’Andrea of the 5th and 8th New York One-Minute Play Festival (2011, 2014)
  • Co-Producer with Julia Jordan of the Town Hall Discussion on Gender Disparity in Theater (2009)
  • Producer of countless public and private readings and workshops at Primary Stages

Affiliations
  • Member of the 2016-17 Lucille Lortel Award Nominating Committee
  • Artistic Council, National Playwrights Conference at the Eugene O'Neill Theater Center
  • Board Member of the Leah Ryan Foundation

​Director of ESPA and New Arts Programming, Primary Stages (2006 – 2016)
Now in its ninth year, the multidisciplinary classes at The Einhorn School of Performing Arts have refined the skills of emerging playwrights, actors, and directors in all stages of their development and from all corners of the globe. Our focus is on nurturing, honoring, and advocating for our emerging artists by providing them countless developmental opportunities, space to write and workshop, a company of ESPA actors and directors who have been seen on and off-Broadway, and a family of collaborators that extends far beyond the Primary Stages studios. Through building connections and a body of work at ESPA, our playwrights have received workshops and productions, won awards, and garnered professional attention among artistic leaders across the country. Having provided a home for nearly 3,000 artists, ESPA has become a trailblazer in performing arts education, new play development, and collaboration within the Primary Stages and greater New York theater community. 

Teaching
Adjunct Professor, The Fordham / Primary Stages MFA in Playwriting (2012 – 2016)
  • Dramatic Structure - Covers the science of storytelling in plays, television, and films. The syllabus includes everything from Aristotle to Thurber, Tootsie to Groundhog Day, and “The West Wing” to “Orange is the New Black”. Students are given weekly lectures and assignments that cover the WHAT, HOW, and WHY of stories through examining the development of the hero, their physical manifestation in the story world and inciting incident, their actions and reversals, and their new equilibrium.  

Faculty, The Einhorn School of Performing Arts (2007 – 2016)
  • Playwriting - 10-week workshop to develop a first draft of a new play. Writers are expected to bring in 10-12 pages each week to read aloud and receive feedback (and learn how to do so). They are then pushed forward with writing exercises and lectures. 
  • Dramaturgy - 4-week course covering the plays being produced at Primary Stages. Participants read the plays in advance, discuss possible revisions, and brainstorm the steps to produce it, such as staffing, casting, marketing, and fundraising.

Education
BA, Barnard College, Columbia University
MFA abd, School of the Arts, Columbia University